The driving force behind my cinematography is my experience in grip and electric, shaping and controlling light for all kinds of environments, situations, and budgets.
Nowadays, I find myself working a lot more as a gaffer and key grip than a cinematographer. I thoroughly enjoy being able to be a part of a team to being an idea to life as a nice change of pace to being the one who has the come up with the entire visual concept. It’s also allowed me to be very choosy with my cinematography projects, keeping me happy with my work and away from projects that might not showcase my abilities.
I’m very grateful for the professional mentorship I’ve been able to find in the G&E community in Arizona and am currently dedicated to expanding my G&E inventory to be able to single-handedly service medium and large-scale commercial and narrative production as a gaffer.
Right now I have a G&E package that is suitable for small productions along the lines of interviews or short-form narrative work. I am always expanding, so if there’s something you’re looking for please don’t hesitate to ask!
Below are some pictures of the incredible teams that I work with and some of the setups we put together:
Work Samples
While it is challenging to be sent final versions of the projects I work as a gaffer on, I’ve been graciously provided these samples of shows I’ve worked:
